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I would love to be able to write first drafts from an outline.  When I write nonfiction pieces, I generally use an outline.  But for some reason, my fiction Muse resists outlines with an allergic fierceness.  If we were out for a drive, my Muse would refuse to ask for directions.

Here is a sample of how a book idea comes to me:

There's this character, and he has this problem, and oh, here are some first lines.  Yes, and there are some other people there too.  And then eventually (insert vague idea for climax and/or ending).

In the course of writing, my ideas about the characters and the subplots evolve, although the main plotline (such as it is) remains fairly stable.  But the outcome may switch 180 degrees.  For example, if the climax comes at a big decision point, I may think the character is going to choose the left fork in the road, but when I've written through to that point, I discover he goes to the right instead.  That's not as bad as when he sits down in the road and can't decide which way to go.

In the course of the draft, some secondary characters disappear, while others elbow their way to the front of the stage.  They start revealing secrets and backstories I never suspected.  Oh, so A is secretly in love with B?  And C is dreaming of going to clown school?  And D is still angry about the Frog Incident that everyone else has forgotten? 

After the first couple of drafts, when I've gotten to know these people and figure out what they want, I can start pruning out the brush and letting the flowers bloom.  But right now, I'm wrapping up a first draft of a project, and here on the threshold of the ending, I'm STILL learning things about these characters.  I still don't know exactly how this thing will end.  I only know that it will end soon.

Some writers would break out in anxious hives, trying to write without an outline.  I think it's rather crazy myself.  But we all have our own methods; there's more than one road up the mountain.

Comments

i thnk we have similar writing styles. i tried to outline the last manuscript i started and it didn't work out at all. but the idea for my WIP just came to me one day and a few weeks later, i've written 30,000 words. and am surprised daily by what happens next. :)
Wonderful! It's great when everything flows.
Oh, me too. I mean, I'll have a basic idea of ending, beginning, and characters, but after that, it's useless to plan. It all changes.
I usually write an attempt at an outline at the top of the first page (very sketchy, about two or three words per major plot point), and then never look at it again until I'm done with the project. Then the outline is good for a laugh, to see what I once thought I was going to write!
For me, the outline comes after I've written a chapter or so. It helps me remember the characters and their purpose, although it will likely change.
Side Note: Great job on the interview with Jessica!
My Muse laughs at outlines. But I envy those who can do them!

p.s. Thanks!

Outlines

What works best for me is to forget formal outlining, and just keep a general pattern in my head. Thus I don't freak out when my villain shows signs of tenderness, and my virtuous heroine blows her stack, sending the story down another path. Sometimes it's a dead end path; sometimes it's much better that what I had in my head.

Re: Outlines

Yes, that's the benefit of flexibility: the good surprises.
Well, I don't do an outline, but I would break out in hives trying to do it your way (although I really wish I were capable.) I tell myself that I just shoot for having some direction, and then I write, but I do get a bit worried about too LITTLE of that direction.

Yes, I'm Becky, and I'm a control freak. :)
Whatever works. (The Writerjenn motto!)
I'm a non outliner too. I wish I could write with one, but it doesn't seem to want to work out that way for me...
Non-outliners, unite!
My process is a lot like this. I sometimes know the next chapter or two, and have a general idea of the end, but many of the steps along the way come as a surprise. And honestly I like being open to those little flashes of new knowledge. B can do this? She and J had a thing? I love those little discoveries!
I love those discoveries too. I don't want to know everything beforehand; the discoveries help keep me going.
I confess, I've never written an outline. For some reason it felt like I was spoiling it for myself. I have a premise, and characters, and they reveal themselves along the way. Future drafts tweak all of that, but again -- I only know where they're going, not necessarily where they'll end up.
Yes, it does help my motivation to have these little surprises along the way. I've noticed that if I know too much up front, it can get tedious.
I can't outline but sometimes I wish I could. If I could I might not be fighting this darn synopsis so much. :)
I can't help thinking outlining would be easier ... but I play the hand I'm dealt. It requires a lot of trust in the story, trust that it's going to get where it needs to go!
One day, I promise I'll comment with something other than "I agree with you wholeheartedly". I started with a similar vague idea, had a character appear who refused to die when he was supposed to, and then had the ending flip on me about 4 times. Right now, I'm hardcopy editing it, and looking what I wrote at the beginning- it's like cutting great swathes off of it!

What I did find, however, was that as I was writing the second half of the book, it was useful to make notes of 2-3 things I wanted to happen in the next 2-3 chapters (otherwise this would have gone on for ever). They'd chop and change depending on what happened as I was writings - sometimes bits got subsumed and cast off, but at least then I was less worried this would be ridiculously long.
I almost always know what is going to happen in the next scene or two, and I usually (but not always) know how the book will end, but what's in between those two is vague at best.

Hee hee, "refused to die when he was supposed to!" I've known such characters.
Your muse and mine must be related. Either that or they both went to Vague School. I can't write to an outline, but the whole not-knowing thing still drives me crazy. I wish I was an outliner.
Vague School! I think my muse teachers their doctoral program.

novel vs. tv writers

I'm not a fiction writer, but I'm fascinated by descriptions of writing processes. And one thing I've noticed is that most novel writers seem to say they can't write from outlines, whereas screenwriters tend to be horrified that anyone would try to write anything without one.

I wonder if at least part of the difference has to do with the way TV production is organized. Since writers' rooms will "break a story" (produce an outline) together, you're always writing from an outline; this is essential, I think, because another group of people will be already working on the episode coming after yours while you're writing, so they need to know what's going to happen in it in some detail.

On the other hand, I'm not sure this explains it since movie script writing, from what I understand, doesn't have those constraints, but I think they're as adamant about the outlining. I wonder if it's driven by differences in training, in how the writing production is organized, or in something organic to the medium...

Re: novel vs. tv writers

I wonder if they all write from outlines from the very first draft, or if they brainstorm first. I can outline during later drafts, just not before the first draft.

Screenplays also have time constraints; certain things have to happen at certain times. I'm sure it's possible to write a novel that way (i.e., deciding that a certain event will happen on a certain page), and some people do. They probably have an easier time with pacing than I do!
This is an exciting and organic process. I wrote my first middle-grade manuscript from an outline - a very detailed, chapter by chapter outline. When I started my second project, I thought I would follow the same process but no, my little man (muse) decided to try it the organic way. I had a character and a situation he had to resolve, but the rest of the story (and plot) fell into place as I wrote. I kind of had an idea of where I was going but not so much a means of transport or where I would stay along the way or even how long this journey was going to take me. It's exciting and scary.
Perhaps your little man was hanging around with my muse.

(Anonymous)

I wrote an outline after my first draft of my WIP and it helped me immensely! It allowed me to see the bigger picture a bit more clearly, and helped as I shuffled chapters/characters around. To each their own!

LizsInk.Blogspot.com
I can write an outline after my first draft. But usually not before. Or if I do write something outline-like that early, it falls by the wayside.

Outliners are lucky, I think! It must make the process so much more coherent.